Relicensing OpenSSL
Relicensing OpenSSL
Posted Mar 24, 2017 16:29 UTC (Fri) by tialaramex (subscriber, #21167)In reply to: Relicensing OpenSSL by SEJeff
Parent article: Relicensing OpenSSL
I spent a bunch of time doing the backend technical work for the Turing Archive (a collection of works by or concerning Alan Turing, sketches, photographs, draft letters, notes towards articles, all that stuff) when I was much younger. The Archive's main actual activity was basically making sure they "tried real hard" before shrugging and marking things as cleared by reason of failure to communicate with any legitimate owner.
That means you record what you tried, and you listen to reasonable suggestions for other things to try, but you aren't obliged to just give up and throw away works that you can't clear. Archives around the world would be emptied by such an approach, so it would be unconscionable to insist upon it.
Now, for code, because it's functional, it might also be replaceable, and also it's much newer so you're not going to dead end as much, but if you really weren't able to find anybody who objects, a court might very well frown on the theory that you're wilfully infringing when, eventually, you give up and just use what you have. Wilful infringers don't waste their money asking for permission. Of course if a copyright holder turns up later, says they own it and they want you to stop using it, that's still a problem, but it isn't a retrospective problem, just an ongoing one.
Posted Mar 25, 2017 8:35 UTC (Sat)
by epa (subscriber, #39769)
[Link] (19 responses)
Posted Mar 25, 2017 8:52 UTC (Sat)
by tialaramex (subscriber, #21167)
[Link]
Posted Mar 25, 2017 16:05 UTC (Sat)
by fw (subscriber, #26023)
[Link] (16 responses)
There have been occasional setbacks due to this, but in practice, it does not seem to matter much. And there is really nothing you can do about this.
CLAs are not a complete solution because they still require substantial research to validate that the signature is valid and the signer is in fact authorized to sign such documents, things which are very difficult to do across jurisdictional boundaries. And even if you did your research, the contribution may have been lifted from StackOverflow.
Posted Mar 25, 2017 23:44 UTC (Sat)
by lsl (subscriber, #86508)
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Posted Mar 26, 2017 20:39 UTC (Sun)
by mirabilos (subscriber, #84359)
[Link] (14 responses)
Posted Mar 27, 2017 1:06 UTC (Mon)
by oshepherd (guest, #90163)
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Posted Mar 27, 2017 1:35 UTC (Mon)
by mirabilos (subscriber, #84359)
[Link]
Of course I can put a work under multiple licences. I can enumerate these (say dual-licence MIT and CC-BY)
Now, whether I *want* the FSF to be able to put out licence terms I wish to use
It’s not the FSF that does the actual licence grant, it’s just me.
There’s something in German law that prevents me from completely giving up my rights,
Posted Mar 27, 2017 1:39 UTC (Mon)
by andresfreund (subscriber, #69562)
[Link] (11 responses)
I don't think that's correct. You can't sign copyright away, but you can very well allow somebody else to sublicense rights. You can grant both exclusive and non-exclusive rights of use, including the permission to sublicense.
Posted Mar 27, 2017 12:02 UTC (Mon)
by anselm (subscriber, #2796)
[Link] (10 responses)
The confusion comes from the fact that German law does not have the concept of “copyright”, and that makes it difficult to talk about the German situation using Anglo-American legal terms.
What we do have is Urheberpersönlichkeitsrechte (author's personal rights or “moral rights”, such as the right to be acknowledged as the author of a work) and Verwertungsrechte (rights to exploit a work). You can assign a right-to-exploit (e.g., to make copies of a book for sale) to a third party (either exclusively or non-exclusively) but you can't sign away your moral rights. Also in Germany you don't get to deliberately put your work into the “public domain” except by dying (in which case the work will enter the public domain 70 years later).
Posted Mar 27, 2017 14:54 UTC (Mon)
by epa (subscriber, #39769)
[Link] (8 responses)
Posted Mar 27, 2017 15:08 UTC (Mon)
by Wol (subscriber, #4433)
[Link] (6 responses)
So long as Germany protects "commercial exploitation rights" for 50 years, and it applies to all works equally, then that should be good enough for Berne.
And let's compare the US and British versions of copyright - there are massive differences. I believe there are some works written maybe 200 years ago which are apparently still protected by British copyright. Pepys wrote his diaries in the 1660s, but copyright started, I believe, in the late 1800s?
aiui, the copyright clock in America starts ticking the day the work was written. In Britain, however, the clock starts ticking the day the work was published. So, for example, Pepys work was published some 200 years after it was written so that's when the British clock started ticking. (Dunno how British law copes with works being published by someone who is not the lawful owner/rightsholder ...)
Cheers,
Posted Mar 27, 2017 23:28 UTC (Mon)
by k8to (guest, #15413)
[Link] (5 responses)
What a world we live in.
Posted Apr 11, 2017 10:55 UTC (Tue)
by Wol (subscriber, #4433)
[Link] (4 responses)
That's really what I meant - the clock starts ticking when the work comes under copyright. I didn't cover when it times out, for which there are a whole bunch of assorted, crazy rules.
Personally, I'd like to see a system similar to the old American one where you had to register your work. Probably along the lines of you have a standard copyright statement eg (for Discworld) it would be "(C) Terry and Lynne Pratchett", along with the publication date. That copyright statement would be in a registry, so that any work that they had written would have that statement in it, and anybody could look it up in the registry to find contact details, copyright expiry details, etc etc. And it means one entry would cover pretty much an author's entire corpus - save on space and hassle :-)
Okay, what happens if somebody unlawfully strips the copyright statement? Well, that's not much different from the current situation where governments are trying to say "if you find it on the web you can forget about copyright" even when the author has stuck a copyright statement in the work!!!
Stuff where you can't trace the copyright holder - ESPECIALLY if the details in the registry are wrong! - should be a pretty effective defence against infringement.
And after ten or so years copyright should have to be actively renewed. In return for getting rid of the Mickey Mouse Copyright Extension Act, I'd be quite happy to say that - for a fee - copyright could be extended indefinitely. For most works the fee wouldn't be worth it and they'd fall in the Public Domain pretty quickly :-)
Oh - and get rid of the German "70 year copyright extension act" too - it was done to protect the families of soldier/authors killed in the War (dunno which one), and copyright should expire on the later of 50 years published or the author's 120th birthday. That would protect people who die young just as effectively.
Cheers,
Posted Apr 11, 2017 12:41 UTC (Tue)
by mirabilos (subscriber, #84359)
[Link] (3 responses)
*NO*! I’m *so* glad the Berne convention abolished that.
> Okay, what happens if somebody unlawfully strips the copyright statement? Well, that's not much different from the current situation where governments are trying to say "if you find it on the web you can forget about copyright"
That’s completely wrong.
In Berne convention signatory countries, anything you “find” must be assumed under maximum copyright protection by default; even anonymously published works have a protection of ~70 years from the date of the publication.
Your registration scheme is unpractical and won’t work out; furthermore, it would cause undue burden to creative people who can’t afford registration (think third-world countries, street beggars/artists, etc) or are illiterate (which doesn’t prevent them from being creative and thus the author of a work), so it’s maximum discriminatory.
Posted Apr 11, 2017 13:27 UTC (Tue)
by pizza (subscriber, #46)
[Link] (2 responses)
Let's be honest; street beggars/artists won't be filing lawsuits over copyright infringement.
Meanwhile, a good counterpoint is that registration was good enough for the US until 1978.
I'd be all in favor of a system that automatically granted copyright for a short period of time (oh, say, 14 years from first publication -- ie the original copyright term in the US) but would require escalating fees for renewal up to some maximum term (say 70 years from first publication or registration, whichever came first).
Posted Apr 11, 2017 13:52 UTC (Tue)
by mirabilos (subscriber, #84359)
[Link] (1 responses)
Yet.
But still *you* want to deny them those rights.
> Meanwhile, a good counterpoint is that registration was good enough for the US until 1978.
Well, *only* for the USA, not for the other almost 200 Berne convention signatories, so it is a good data point but showing just how *bad* your suggestion is.
Posted Apr 11, 2017 14:04 UTC (Tue)
by pizza (subscriber, #46)
[Link]
And *you* want to deny the entire point of copyright -- Hint: It's to improve the public domain.
Posted Mar 27, 2017 16:50 UTC (Mon)
by mirabilos (subscriber, #84359)
[Link]
So you have to distinguish between “copyright” in the US/UK sense, which is a part of the larger “copyright” that’s law in Germany (but with a German name).
Posted Mar 29, 2017 15:57 UTC (Wed)
by ceplm (subscriber, #41334)
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Posted Mar 26, 2017 16:18 UTC (Sun)
by rgmoore (✭ supporter ✭, #75)
[Link]
It depends on the nature and quantity of the code in question. If there's only a small amount of code that's questionable, it's probably more sensible to rewrite it and be done with the problem. If there's an individual contributor who added a lot of code who you can't reach, that's a serious cloud over the project. But if there were multiple contributors who each contributed a small amount, there may be too much code for it to be practical to rewrite the whole thing, even though the individual contributions are small enough to rewrite if one author shows up and complains.
Relicensing OpenSSL
Of course if a copyright holder turns up later, says they own it and they want you to stop using it, that's still a problem,
Who would want to rely on software with such a legal question mark over it? It's fine for an archive or museum -- you can just remove the item -- but in a complex computer program where one key routine has to be removed?
Relicensing OpenSSL
Relicensing OpenSSL
Relicensing OpenSSL
Relicensing OpenSSL
On the other hand, a German citizen can't really put some code under the (for example) GPLv3+ (because in doing so they're essentially giving the FSF consent to relicense their code - which German law does not permit). Swings and roundabouts.
Relicensing OpenSSL
Relicensing OpenSSL
or use a criterium (say, anything the OSI has ever approved), and this certainly
does include not-yet-released future versions of existing licences.
for my work without further review is the other question, but that’s independent
of the legislation I work under.
I could let the FSF dictate the terms (by using GPL-vˣ+) or not.
and something about being able to reclaim licences after thirty (IIRC) years,
but that only applies to exclusive licences, which OSS licences aren’t
(meaning I can still decide later to put another set of terms onto some work,
which is precisely not possible if it’s in the public domain).
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Wol
Relicensing OpenSSL
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Wol
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Relicensing OpenSSL