For the Love of Culture (The New Republic)
And this requires progress in how we think about copyright. It requires giving up the idea that the elements in a compiled work--the music in a film, for example--have a continuing power to block access to, or distribution of, that work. Once a work is made, rather, we need to recognize that it has its own claim within our culture. And so long as the necessary permissions to make the work were secured originally, then at some point in the future (again, say fourteen years after its creation), the parts lose the power to control the whole."
Posted Jan 28, 2010 18:04 UTC (Thu)
by coriordan (guest, #7544)
[Link] (2 responses)
Anyone know what he's working on now? and where, or if, he's documenting/blogging it?What's Lessig up to these days?