Again: why are you so sure?
Again: why are you so sure?
Posted Jul 7, 2009 14:17 UTC (Tue) by pboddie (guest, #50784)In reply to: Again: why are you so sure? by khim
Parent article: Ogg codecs dropped from HTML5
Why are you so sure this is the only outcome? There are another, simpler and cleaner solution: introduce some analog component. You can do a lot of transformations using less transistors in their analog mode for cheap. Sure, the quality may suffer, but this implementation is clearly patentable (it's physical thing like radio, right), so why not?
By asserting that patents were the crucial factor in making digital video a reality in a timely fashion, you're confusing at least two different things: hypothetical incentives and technical readiness. You actually touch upon the real reasons for the rapid availability of digital video solutions in your own comments.
In fact, the people already doing "proto-digital" video (such as Philips - a known patent cartel member - with their laserdisc solutions) were obviously in a position to leverage their existing expertise in video, regardless of whether patents might be offered as incentives. Such companies could obviously introduce hardware components at will in order to retain monopoly control over certain solutions, mostly because this was already what was happening (although one could argue that their motivation was to sell boxes to consumers, as seen with the multitude of failed CD-based formats and units).
Even so, other companies with limited experience of pre-digital video were able to deploy digital video solutions (such as Acorn, with their Replay codecs), demonstrating that capable innovators were actually able to enter the market satisfactorily. These days, such innovators would be excluded by the kind of innuendo and veiled threats that sees open video standards excluded from open Web standards by, naturally, members of the existing patent cartels. Meanwhile, well-researched (technically and legally) open codecs, such as Dirac, are the elephant in the room: Apple and friends would rather that people didn't hear about something that quite probably isn't encumbered at all (and BBC Research are probably the people most likely to know); it's best for Apple and company that the proprietary status quo persists and that they can blame some mystery third party for restricting the user's freedom, rather than owning up to their role in the whole affair.
Posted Jul 7, 2009 17:33 UTC (Tue)
by khim (subscriber, #9252)
[Link] (2 responses)
Yup - and where this enterprise went? Right: nowhere - to the
extinction. The same people founded another enterprise (heavily-based on
patents) and it's thriving today (I mean ARM Ltd). 1. That's what I'm talking about when I talk about adoption oproblems Not really. There are very few ways to produce Dirac (do you know a can
which can save files in Dirac format?) while H.264 can be produced easily. There are a lot of
hardware and software to play H.264 - not so with Dirac. Typical case of sunk costs. Thus I'm
pretty sure dirac will not displace H.264 (like vorbis failed to displace
MP3). It's good to have all these backup plans but you can be pretty sure
mainstream will continue to be MP3 and H.264. And in the long run it's
irreleant: by 2024 (may be earlier) all H.264-related tools will be free
for anyone to use, so this particular was is lost. MP3 tools will be free
by 2012 - do you still believe in future of vorbis?
Posted Jul 8, 2009 11:09 UTC (Wed)
by nye (subscriber, #51576)
[Link]
Absolutely. Vorbis eclipses MP3 in technical quality, which is really the only thing that matters in cases where you control the player.
All the world is not an iPod, and the uses for compressed audio stretch far beyond personal music players.
Posted Jul 8, 2009 11:13 UTC (Wed)
by pboddie (guest, #50784)
[Link]
Careful: the people who did Replay may have had a lot to do with the ARM architecture, but that doesn't mean that they wrote ARM Ltd's business model. Moreover, ARM is a hardware design licensing business, albeit with dubious aspects which probably get people into trouble even for making stuff that interprets their instruction sets. So it isn't as simple as saying that patentability makes for good business in all/any fields, even if Acorn made the mistake of not licensing their software in any sense to other people. In fact, had Acorn merely made their software available for other platforms and relied on good old copyright, it would have helped them a lot more than letting them have software patents. Do I still believe in the future of Vorbis? Yes. The quality was better than MP3 ten years ago, at least with the tools I had available, although I really prefer lossless formats. Likewise, the myths about Theora's quality compared to the cartel formats are being put to bed as I write this. Sure, "sunk costs" ensure that there's little incentive for established companies to adopt other formats, but it's the effect on everyone else that needs addressing, at the very least. It's easy for people to argue for more patents on the basis of giving people incentives because that's what patents are supposed to be about, but it's far from accepted that patents have been the vehicle for stimulating innovation that such people claim. Instead of going along with such claims, I suggest that the burden of proof is shifted onto those making such claims because there's plenty of evidence of the negative aspects of imposing patents on a domain. My point about Replay undermines the assertions that people need patents to develop such stuff and that large teams in large corporations are also required. Not only are those two supposed factors independent of each other, they are also independent of whether innovation actually occurs.
The means are different, the result is the same...
Even so, other companies with limited experience of pre-digital
video were able to deploy digital video solutions (such as Acorn, with
their Replay codecs), demonstrating that capable innovators were actually
able to enter the market satisfactorily.
These days, such innovators would be excluded by the kind of
innuendo and veiled threats that sees open video standards excluded from
open Web standards by, naturally, members of the existing patent
cartels.
2. Acorn was easily excluded by other means back when Acorn Replay was
relevant.Meanwhile, well-researched (technically and legally) open
codecs, such as Dirac, are the elephant in the room.
The means are different, the result is the same...
The means are different, the result is the same...
Yup - and where this enterprise went? Right: nowhere - to the extinction. The same people founded another enterprise (heavily-based on patents) and it's thriving today (I mean ARM Ltd).