Linux drivers

Yes, I think your comment is related to something I was thinking when reading this:

An important question is, how often does this happen in the industry?  If vendors do this
often to promote hardware sales, then yes, that's a good reason for the industry to consider
free software.

However, if this is a rare occurrence, then this story is merely a moving anecdote.
Practically speaking, the industry will not migrate to free software until there is a
compelling economic incentive to do so.  I don't know what the common practice is, but my
suspicion is that non-free drivers basically do a satisfactory job for typical users.

That's a shame, because I think people don't realize the cold, hard business case for free
software.  For certain people in the IT industry (ISVs, integrators, solution providers,
consultants -- especially small ones), using free software heavily or exclusively is a
compelling business model.  The benefits are zero licensing fees and effective legal certainty
about your so-called intellectual property position.  Finally, for small companies, what is a
bigger threat: piracy or obscurity?  For this reason, the intuitive desire to "keep your cards
close to your chest" is bad for business.

(Incidentally, both the "legal certainty" and "obscurity vs. piracy" arguments apply to small
musicians, and that is why you see so many small musicians adopting Creative Commons.)

I don't agree with the contention that it's a mess and has "always been a mess" which suggests
that it's not got any better.

With OSS you had the abstraction in all the wrong places, so often there simply wasn't any way
to do what the user wanted, unless the user happened to want to do whatever the OSS designers
thought you should do (basically, play video games which use 16-bit stereo sound).

ALSA gets more of that right. There's a good chance that whatever my hardware is actually
capable of is reflected sensibly into userspace. I get dB relative amplifier settings for
example, instead of arbitrary "1-100" scales that could mean anything and frequently do.
Recent versions of ALSA finally default to "restore what you can" when your driver updates add
or remove some of the mixer controls for your hardware, which was a huge oversight in older
versions.

JACK gets a lot of stuff right that basically no-one had got right before, although other
modern operating systems are moving in the right direction.

In my experience even (Linux) distribution vendors have got a lot better about audio. Most of
them ship frameworks like JACK so that you don't need to compile anything yourself. They
usually make some attempt to properly set up your sound card, and to restore those settings
next time you use the computer. They will set the permissions correctly for the console user.
In some cases they even remember to grant the console user the new (non-dangerous) real time
quota so that he or she can use pro-audio software without editing text files.

However there's plenty more ground to be covered. Most of the heavy lifting now needs to be
done by the desktop environments (GNOME, KDE etc.), which have traditionally taken the 1990s
DOS game approach of pretending everyone owns a Soundblaster 16 and wants to either play
exactly one music file, or make useless desktop bleeps, or maybe, if they're feeling really
lucky, record a badly distorted or inaudibly quiet 8-bit version of their own voice saying
"Testing". The jury is still out on Pulseaudio, but all the previous attempts at this sort of
thing have been disastrous and I have no reason to think Pulseaudio's developers are any
smarter. JACK makes application developers actually have to care about audio - and that,
apparently, is unacceptable for anything except pro audio software. So, either Pulseaudio will
turn out to finally get this stuff right without making app developers think about it, or
we're back to just ALSA, which at least had dmix working on all the machines I own.

If you're using a properly configured laptop with a pro outboard card and a copy of Ardour
putting together a demo track you could imagine that Linux audio is fine now. But a phone call
from someone who is trying to make the "new mail" sound from Evolution audible - and has been
confronted by forty more or less identically labeled sliders which seem to do nothing - will
soon wake you up to a world where there's a lot left to do. Still, we're closer than we were a
few years ago.