Prose analogy patents [LWN.net]

Prose analogy patents

Posted Dec 4, 2008 23:43 UTC (Thu) by felixfix (subscriber, #242)
In reply to: Prose analogy patents by tialaramex
Parent article: KSM runs into patent trouble

I wish I knew how to second this properly. I have never understood why so many people think copyright is a necessity, but I have gotten so used to others thinking it necessary that my brain retreats into thinking of ways to fine tune it, when what it really needs is to disappear altogether. People wrote and painted and sang long before there was any copyright, and people still get together in garage bands and write blogs and create websites and youtube parodies without any renumeration.

I know it would eliminate the GPL, but I also believe that the GPL is only necessary in a world of copyright lawyers. The core idea behind GPL is that it is in everyone best interests to share work, such as the linux kernel, rather than hoard your own copy and struggle to keep up to date with continual merges to keep up with public changes. I have done that too often to think it a viable development method.

Thank you for reminding me again how much I detest the very idea of copyright.

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Prose analogy patents

Posted Dec 5, 2008 1:20 UTC (Fri) by bojan (subscriber, #14302) [Link] (1 responses)

> when what it really needs is to disappear altogether

This really is a political problem. A powerful and influential minority convinced governments around the world that keeping their monopolies is a good idea. Well, if people are complaining when the price of petrol goes up, so should they when the price of music, books, films and software does the same. Otherwise, we've go nobody to blame but ourselves.

Prose analogy patents

Posted Dec 5, 2008 1:43 UTC (Fri) by felixfix (subscriber, #242) [Link]

The big money interests are digging their own grave as far as I'm concerned. They build these big life + 95 year fences around their factory work and forget that fences work both ways; not only have they kept their factory work safe from the public, but they have given the public every incentive to do their own work and ignore the factory work. Sooner or later, as Britney has shown, factory work will be so blandized and homogenized that it will only be used for elevators and dentists' offices. All the real popular culture has long since moved beyond their fences and out of their control. I don't know how much is under Creative Commons licenses, but I suspect it will only increase, and the entertainment factories have locked themselves out of that with their copyright fences.