Development [LWN.net]

LPC: Linux audio: it's a mess

September 18, 2008

This article was contributed by Don Marti

Audio is a fitting topic for the first day of the Linux Plumbers Conference. Users want sound to Just Work, and there's lots of working code in individual projects. But so far, it seems like nobody has everything quite plumbed together in an annoyance-free way.

Lennart Poettering, a lead developer of PulseAudio and Red Hat employee, moderated the miniconference and started with a summary of the state of Linux audio: "it's a mess." The audio miniconference came up with two steps toward cleaning up the mess, though. First, come up with a coherent story for application developers on what sound API to use, and how. Second, clean up the often-confusing array of user-visible audio level controls.

PulseAudio first appeared to regular users in Fedora, starting with version 8, and now, as Lennart puts it, is for up-to-date users, "the software that currently breaks your audio." PulseAudio is a sound server that mixes audio from multiple applications and passes it along to the sound hardware. It offers advanced features such as network transparency: an application can play a sound on a remote system, and PulseAudio makes it come out the speakers on the remote machine where the user is working. Supporting it shouldn't be a big change for most application developers to handle. It will handle applications written to the kernel's maintained audio API, ALSA, using the PulseAudio backend for alsa-lib. So the PulseAudio transition has been relatively painless for the distributions.

An earlier sound server project, the Enlightened Sound Daemon (ESD) sound server, is falling out of favor and Media Application Server (MAS) has never really caught on. However, one of the competing sound servers looks likely to remain. On the pro audio side, the low-latency sound server JACK is the recommended option. JACK, the "Jack Audio Connection Kit," as Dave Phillips writes, "holds the keys to the kingdom" for connecting studio applications such as the Ardour digital audio workstation and the Rosegarden MIDI sequencer. "If you want all of the features, no one audio system supports all of them," Lennart said.

Apple and Microsoft each have a single sound server that does both desktop and pro audio, but nobody at the session seemed to have much interest in that direction for Linux. PulseAudio is optimized for general desktop use and power savings, and supports scheduling features that should minimize wakeups but still allow for reasonably low-latency playback of streaming audio. It's also network-transparent and supports features such as placing desktop sound events based on mouse position. Network audio and desktop effects don't tempt pro audio users. JACK's uncompromising approach toward latency means it's likely to hog too much power to be acceptable to battery-life-watching desktop users, but fine for a studio with a rack full of gear. So two sound servers, one for pro and one for the masses, seems to be fine with both sets of users.

Abusing ALSA

PulseAudio, however, can't give applications direct access to the hardware, and currently only about 70% of ALSA applications use the API in a PulseAudio-safe way, Lennart said. Some high-profile applications are among those doing audio wrong. "Flash and Skype are really really broken applications, especially Flash," he said. Adobe split out the parts of its code that talk to the audio subsystem, and certain other plumbing, into an open-source library, libflashsupport. But Flash remains broken. The proprietary Flash library talks to libflashsupport from multiple threads, and one thread calls a destructor while another continues to send data. "It works until you close the browser window and then you get a race," Lennart said.

Developers who want to play audio have a sometimes-confusing choice of tools, including PortAudio and GStreamer. (PortAudio is cross-platform, which is likely why the popular cross-platform audio editing application Audacity uses it.) GStreamer is relatively feature-intense and heavyweight, also handling video and transcoding. (Write a player with Gstreamer and you get the ability to play your collection of C64 SID files for free.)

[PULL QUOTE: If someone comes and says, 'I want to write an audio application. Which API should I use?' I don't have a good answer END QUOTE]

"If someone comes and says, 'I want to write an audio application. Which API should I use?' I don't have a good answer," Lennart said. The current best answer seems to be to write to the PulseAudio-safe subset of ALSA. Jeff Licquia of the Linux Standard Base (LSB), in the audience, mentioned that ALSA is on track for inclusion in LSB 4.0, and is a trial use module for 3.2. LSB aims to define a compatibility standard for Linux applications, and aims to do the kind of application developer education that Linux audio developers seem to need. Applications seeking LSB certification must run all of the LSB tests, but can fail anything tagged as trial use. "We're only keeping the stuff that we hope will be around for the long term," he said. If the LSB-safe subset of ALSA fits into the PulseAudio-safe subset of ALSA, application developers could write to ALSA and test with LSB.

"I would like to be able to tell people to use libsydney," Lennart said. Libsydney, in progress, is intended to be a networking-friendly general-purpose audio API.

ALSA and the HD-Audio widget problem

In ALSA, the hardware/software interface is in good shape, but software to user interface needs some work. Takashi Iwai, a core ALSA developer and Novell employee, pointed out in a talk that the line count for /sound code in the kernel is actually shrinking, except for ASoC (system on a chip) and HD-audio. "There will be no more sound cards, especially PCI," he said. The one exception is the SoundBlaster X-FI for gamers, which is currently not supported well in ALSA. Creative announced proprietary drivers in 2006, but one ALSA developer recently did get access to a data sheet under NDA.

The new audio standard, HD-Audio, is commonly found on new systems, and it's well-supported at the kernel level. However, it's based on "widgets" with vendor-configurable I/O pins. A driver can't tell how the HD-Audio part is connected, so some Linux plumbing work is required to identify which of the many exposed level controls is the right one to show the user. An audience member pointed out the need to tweak multiple level settings on his hardware, to get the right level without distortion. Linux will need more information on how each machine has its HD-Audio hardware hooked up in order to reliably give the user a useful volume control.

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